Telephone Number: +420 224 901 448
Nearest Subway Stop: Národní třída Metro (1425 feet), Karlovo náměstí Metro (2263 feet)
Nearest Tram/Streetcar Stop: Tram Narodni divadlo (199 feet), Tram Narodni divadlo (328 feet), Tram Narodni divadlo (526 feet), Tram Karlovy lazne (1300 feet), Tram Narodni trida (1394 feet), Tram Myslikova (1546 feet), Tram Lazarska (1655 feet), Tram Jiraskovo namesti (1678 feet)
The National Theatre (Czech: Národní divadlo ) in Prague is known as the Alma Mater of Czech opera, and as the national monument of Czech history and art.
The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition which was created and maintained by the most distinguished personalities in Czech society. This tradition helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking.
Today the National Theatre consists of three artistic ensembles–opera, ballet and drama–which alternate in their performances in the historic building of the National Theatre, in the Theatre of the Estates and in the Kolowrat Theatre. All three artistic ensembles select their repertoire not only from the rich classical heritage, but in addition to local authors they focus their attention on modern world output.
Initial design and construction, 1844 to 1881
The National Theatre is the embodiment of the will of the Czech nation for its national identity and independence. Collections of money among the broad masses of the people facilitated its construction, and so the ceremonious laying of the foundation stone on May 16, 1868, was tantamount to an all-state political demonstration.
But the idea of building a dignified edifice to serve as a theatre matured in the autumn of 1844 at the gatherings of patriots in Prague and began to be implemented by an application submitted by František Palacký to the Provincial Committee of the Czech Assembly on January 29, 1845, having requested "the privilege of constructing, furnishing, maintaining and managing" of an independent Czech theatre. The privilege was granted in April 1845. But it was not until six years later – in April 1851 – that the founding Society for the Establishment of a Czech National Theatre in Prague made the first public appeal to start a collection. A year later the proceeds went toward the purchase of land belonging to a former salt works covering an area of not quite 28 acres (11 ha) which determined the magnificent site of the theatre on the banks of the river Vltava facing the panorama of Prague Castle, but at the same time the cramped area and trapezium shape posed challenging problems for the designers of the building.
The era of Bach absolutism brought to a halt preparations for the envisaged theatre and supported the concept of a modest provisional building, which was erected on the south side of the theatre parcel by architect Ignac Ullmann and opened on November 18, 1862. The building of the Provisional Theatre then became a constituent part of the final version of the National Theatre; its outside cladding is visible to this day in the elevated section of the rear part of the building, and the interior layout was only obliterated following the latest reconstruction of the National Theatre in 1977 - 1983. Simultaneously with the realization of this minimal programme asserted by F.L. Rieger and the Provincial Committee, the young progressive advocates of the original ambitious concept of the building (Sladkovský, Tyrš, Neruda, Hálek) launched an offensive. In 1865 these men attained leading positions in the Society and requested the 33-year old professor of civil engineering at the Prague Technical College, architect Josef Zítek, to draft a design for the National Theatre. He then came out on top in a later-declared open competition, and in 1867 construction work began. On May 16, 1868, the foundation stone was laid, and in November the foundations were completed. In 1875 the new building reached its full height and in 1877 the theatre was roofed over. As of 1873 there was an ongoing competition for the interior decoration of the building, the scenario of which had been elaborated by a special commission under the leadership of Sladkovský. On the one hand, the themes were in the spirit of the Neo-Renaissance concept of a classic building. On the other hand, they were inspired by the current enthusiasm for Slavonic mythology and the stories of the Manuscripts; both of these concepts were based on Josef Mánes' paintings and connected with the contemporary style of romantic landscape painting (also linked to Czech history). They provided the fundamental ideology guiding artistic expression, which today is described as the art of the generation of the National Theatre.
The theatre includes a triga (a three-horse quadriga) and 10 exterior allegorical sculptures by Bohuslav Schnirch, 10 more exterior pieces by Antonín Wagner, the stone pieces by Max Verich and an interior sculpted pediment group over the proscenium arch by Schnirch.
The National Theatre was opened for the first time on June 11, 1881, to honour the visit of Crown Prince Rudolf of Austria. Another 11 performances were presented after that. Then the theatre was closed down to enable the completion of the finishing touches. While this work was under way a fire broke out on August 12, 1881, which destroyed the copper dome, the auditorium and the stage of the theatre.
The fire was seen as a national catastrophe and was met with a mighty wave of determination to take up a new collection: Within 47 days a million guldens were collected. This national enthusiasm, however, did not correspond to the behind-the-scenes battles that flared up following the catastrophe. Architect Josef Zítek was no longer in the running, and his pupil architect Josef Schulz was summoned to work on the reconstruction. He was the one to assert the expansion of the edifice to include the block of flats belonging to Dr. Polák that was situated behind the building of the Provisional Theatre. He made this building a part of the National Theatre and simultaneously changed somewhat the area of the auditorium to improve visibility. He did, however, take into account with utmost sensitivity the style of Zítek’s design, and so he managed to merge three buildings by various architects to form an absolute unity of style.
Reconstruction and reopening, 1883 to 1977
The interior artwork was done by Mikoláš Aleš and František Ženíšek. The building of the National Theatre was inaugurated on November 18, 1883, with a performance of Smetana’s festive opera Libuše, composed for this occasion. The building, with perfect technical equipment (electric illumination, a steel-constructed stage), served without any extensive modifications for almost one hundred years. It was only on April 1, 1977, following a performance of the Lantern by Jirásek, that the theatre was closed down for six years.
Additional reconstruction, 1977 to 1983 and after
Architect Zdeněk Vávra was appointed to take charge of the overall reconstruction work. This extensive project was combined with the completion of work on the entire setting of the theatre. The work was completed to meet an important deadline, which was the date of the 100th anniversary of the opening of the National Theatre: November 18, 1983. On that day the theatre was handed over to the public again with a performance of Smetana’s Libuše.
Nowadays this historic, extremely prestigious and beautiful building, together with the annex of a modern office building that also includes the main box office, represents the main stage of the three artistic ensembles of the National Theatre: the drama, opera and ballet.
In 1989 the general director of the National Theatre, composer Jiří Pauer was dismissed from his post because of his support for the policies of the former Communist Czechoslovak government. Pauer locked all staff out of the National and Smetana theatres on 17 November 1989 to prevent members of the opera, ballet and drama companies from staging protest performances. After a three-week strike Pauer was replaced by Ivo Žídek.
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